In Theatre

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Solstice to Solstice (2011)

audiovisual performance by Nerve (Steve Hui) + npool (Jamsen Law)
Multi-Media Theatre, HKICC Lee Shau Kee School of Creativity, Lok Fu, Hong Kong

Seasons of distinct rhythms, seasons also with volatile forms, sounds, scents, tastes and sensations.
Seasons as a cycle, yet there is never the same spring.
Transformation is the evidence of passing time, but time is invisible.
We only discover it at the moment being reminded by the changes of our surroundings.
Nerve digitally synthesized environmental sound as the four seasons, and modulate the representational sound into music as the three intervals in between. Jamsen created four installations displaying "living images" of seasonal scenery/system with fish tanks, juxtaposing with "moving images" of extreme close-ups of the artificially arranged aquatic plant designs in oversized HD projections in order to create the alienation effect for imagination of natural landscapes. In addition of generating associations and reconnecting memories of seasons, the work also led audience to another perspective of reality.

More Morro Lasso Loops (2016)

Projection for a music piece by Christopher Coleman
HKBU Academic Community Hall, HK & Echofluxx16, Prague

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Walking the Walk (2015)

Papaygyro Nights 2015 Hong Kong (Videotage) & Orkney
with cello improvisation by Alfia Nakipbekova

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Cello Nexus (2014)

McAulay Studio, Hong Kong Arts Centre & Connecting Space

Two concerts of new cello music by Hong Kong composers Steve Hui and Kung Chi Shing, performed by renowned international cellist Oliver Coates, and in collaboration with sound artist Anthony Yeung and video artist Ellen Pau and Jamsen.

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Involuntary Machine (2003)

Formless, a multimedia performance
Dance by Mao Arata & Taiju Matsumoto
Exhibition Hall, Hong Kong City Hall

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Psychogeography of Desktop (2002)

Sound Stage Studio at Ryerson Polytechnic University, Toronto, Canada
Solo video performance

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